36. Bright, Luminous Tentacle-Things! (Final Art Spread 8-9)
We Are Jellyfish: Picture Book Process
This is the 36th (šµāš«) update on my book-making process for my next book, We Are Jellyfishāa picture book about those weird, blubbery creatures of the deep.
Hi, there! Iām back!
Thanks for your patience as I took a few weeks off to recalibrate and attempt to help after Hurricane Helene tore through our community. I was able to get back to work on We Are Jellyfish last week and now have a new final art spread to share with you!
These bright, squiggly tentacles are inspired by the Portuguese Man o' War, which I know is most often classified as a siphonophore and not a jellyfish, but which I decided long, long ago to include in my book on jellyfish.
As I said way back in the second update on the process of making this book, the word jellyfish is not exactly a scientific term and many, many scientists disagree on what should and shouldnāt be classified as a jellyfish. As new species are discovered and more is learned about the species already found, scientists have had to rethink and reorganize the way they are categorized.
And so, for me to make a book about the elusive jellyfish, I had to decide where I would draw the line on what is and isnāt a jellyfish. And you know what? Iām beinā inclusive, yāall. My book covers the entire Medusozoa subphylumāwhich includes the classes of Scyphozoa (true jellyfish), Cubozoa (box jellyfish), Staurozoa (stalked jellyfish), and Hydrozoa (siphonophores)āand I also added in comb jellies, which are in a whole different phylum called Ctenophora!
So, if youāre someone who fervently believes only ātrue jellyfishā are jellyfish and are gonna be all mad about it when this book comes outā¦ sorry! But siphonophores and comb jellies are just too beautiful and fascinating to leave out. You can read more about my decision on what to include in that second post here:
Anywaysā¦ hereās the updated storyboard with this new spread!
It took me a whole week to draw and paint this spread and then another two days to fiddle with the digital editing and find the right balance of colors. It was a lot of back and forth, trial and error, this is wonderful! and this is terrible! You know, the creative process in a nutshell.
If youāre a paid subscriber, read on below to see the whole process of this spread from sketch to painting to final artwork!
The Process of Making Spread 8-9
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